Creative Arts Today Part three, project 2: Combining visual elements

Exercise 1: Mixed messages. Enjoy your stay: written in a Gothic font. Gives the impression horror fans would enjoy their stay. Good for a themed hotel, but only if the theme is ‘Stay awake tonight’. DO NOT FEED THE ANIMALS THEY ARE DANGEROUS: written in a serif font. We are used to warning signs being sans-serif in bold letters. This seems that the writer is a danger to punctuation. We are professionals: written in a typewriter font. Could be professional secretaries. That said, professional Screenwriters also use such a font and not doing so shows a screenwriter up as not understanding this rule. LUXURY: in a modern, slightly Aztec-looking font. Luxury is a subjective concept, so if this was on a bar of soap or on a spa menu, this might look well-placed, but context would dictate whether or not this would work. hand made: in a functional, san-serif font, maybe Arial. This font says anything-but-handmade. One would normally expect to see a font that could, conceivably, be hand-written.

Exercise 2: re-contextualising images.

The recent unrest in the USA, fans of intolerance fanned by the outgoing president, makes the image of that president standing in front of a church, holding a bible. Ironic, especially when peaceful protestors were assaulted by police to clear them from the area before he arrived. This was my response to the work of John Heartfield, who lampooned another dictatorial leader in the 1940s. One of my two main disciplines within this degree, Moving Image, has been causing me to think a lot about the juxtaposition of the image on the screen with dialogue spoken by my characters. Sometimes the images will match the spoken word, while at other times they will tell the viewer that the spoken word is not to be taken at face value.

Exercise 3: film posters. I have chosen the poster from the 1977 James Bond film The Spy Who Loved Me to illustrate the use of the film poster to give prospective, cinema-goers an idea of what their money and time will buy. The Bond franchise is a well-known and iconic brand and the style is familiar, promising action and exotic locations, which would have seemed glamorous in a time when international travel was less common. I note the feature of the Lotus Esprit car, actually built to be amphibious (although by all accounts it leaked terribly). I was, as a child, very taken with this.

Film poster from the 1977 film The Spy Who Loved Me

I remember my local branch of WH Smith making a promotional display using this poster in 1977. I was uncharacteristically bold to persuade them to give me this original cinema poster when the display came down. I don’t know what became of the poster, which is a shame, because the image above is from an advert for an original now on sale for well over £700.

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